I love thunderstorms at the beginning of May. The unity of the divine principle with nature. The history of writing Tyutchev’s poem “I love a thunderstorm in early May...”
I love thunderstorms at the beginning of May,
When spring, the first thunder,
As if frolicking and playing,
Rumbling in the blue sky.Young peals thunder,
The rain is splashing, the dust is flying,
Rain pearls hung,
And the sun gilds the threads.A swift stream runs down the mountain,
The noise of birds is never silent in the forest,
And the noise of the forest, and the noise of the mountains -
Everything cheerfully echoes the thunder...(F.I. Tyutchev. Spring thunderstorm)
According to signs, the very first spring thunderstorm occurs on March 23, Vasilisa’s day. folk calendar. Spring has come finally and irrevocably, the first thunderstorm is a witness to this.
People sometimes say about the first spring thunderstorms:
- “Until the first thunder the earth will not melt”
- “The first thunder in spring is a sign of approaching warmth,”
- “The frog doesn’t croak until the first thunderstorm,”
- "If lightning flashes early spring, but you can’t hear thunder, then there will be a drought in the summer,”
- “If the first thunder thunders for the first time from the south or east, there will be good year, and if from the west, it’s not good.”
- “If in March the north wind blew and the first thunder thundered, spring will be protracted, and summer days will be cold.
“When thunder rumbles on a bare tree, it will be bad for the harvest,” say Poltava residents. The people of Sumy say: “A thunderstorm on a bare tree means famine” (a sign in Ukrainian sounds like this: “A thunderstorm on a bare tree means famine”). In general, the onset of thunderstorms too early, when the foliage on the trees has not yet developed, is considered a sign unfavorable for the expected harvest. I wonder, does this sign actually have at least some scientific basis or is it an erroneous invention of our ancestors? To answer this question, you just need to look around, show interest, and apply a little ingenuity and worldly experience. And “the little box begins to open...”
The first thunderstorm of spring often marks the beginning of the early "rain period" in the spring (March). And during this period, when sap flow is just beginning, foliage and grass have not developed at all, excess moisture in the soil and air is not only unnecessary, but sometimes even harmful (this is indicated by the saying “March is dry and wet - there will be porridge and loaf”). . In addition, the likelihood of a lack of precipitation and a lack of this very moisture during the period of rapid plant growth (in May) increases.
On the other hand, in early spring the average daily temperature is still quite low and the abundance of additional moisture can lead to fungal diseases of both individual plants, trees, and the soil as a whole. During this period, there are often night frosts, which, together with rain, will lead to icing of the plants and the death of the swollen buds. Another negative consequence is the shift in sowing and planting dates to a later time. It is necessary for the soil to dry out so that it becomes possible to treat it with agricultural technology or simply with a tool. After all, delays in sowing time can lead to certain crops not ripening. This is far from full list possible reasons crop failure and famine after the “thunder on bare trees.” To date, consensus, as well as the scientific basis for the sign “Thunder on the bare forest - cold vesna” (as the Belarusians say) does not exist.
Great ones about poetry:
Poetry is like painting: some works will captivate you more if you look at them closely, and others if you move further away.
Small cutesy poems irritate the nerves more than the creaking of unoiled wheels.
The most valuable thing in life and in poetry is what has gone wrong.
Marina Tsvetaeva
Of all the arts, poetry is the most susceptible to the temptation to replace its own peculiar beauty with stolen splendors.
Humboldt V.
Poems are successful if they are created with spiritual clarity.
The writing of poetry is closer to worship than is usually believed.
If only you knew from what rubbish poems grow without knowing shame... Like a dandelion on a fence, like burdocks and quinoa.
A. A. Akhmatova
Poetry is not only in verses: it is poured out everywhere, it is all around us. Look at these trees, at this sky - beauty and life emanate from everywhere, and where there is beauty and life, there is poetry.
I. S. Turgenev
For many people, writing poetry is a growing pain of the mind.
G. Lichtenberg
A beautiful verse is like a bow drawn through the sonorous fibers of our being. The poet makes our thoughts sing within us, not our own. By telling us about the woman he loves, he delightfully awakens in our souls our love and our sorrow. He's a magician. By understanding him, we become poets like him.
Where graceful poetry flows, there is no room for vanity.
Murasaki Shikibu
I turn to Russian versification. I think that over time we will turn to blank verse. There are too few rhymes in the Russian language. One calls the other. The flame inevitably drags the stone behind it. It is through feeling that art certainly emerges. Who is not tired of love and blood, difficult and wonderful, faithful and hypocritical, and so on.
Alexander Sergeevich Pushkin
-...Are your poems good, tell me yourself?
- Monstrous! – Ivan suddenly said boldly and frankly.
– Don’t write anymore! – the newcomer asked pleadingly.
- I promise and swear! - Ivan said solemnly...
Mikhail Afanasyevich Bulgakov. "The Master and Margarita"
We all write poetry; poets differ from others only in that they write in their words.
John Fowles. "The French Lieutenant's Mistress"
Every poem is a veil stretched over the edges of a few words. These words shine like stars, and because of them the poem exists.
Alexander Alexandrovich Blok
Ancient poets, unlike modern ones, rarely wrote more than a dozen poems during their long lives. This is understandable: they were all excellent magicians and did not like to waste themselves on trifles. Therefore, behind every poetic work of those times there is certainly hidden an entire Universe, filled with miracles - often dangerous for those who carelessly awaken the dozing lines.
Max Fry. "Chatty Dead"
I gave one of my clumsy hippopotamuses this heavenly tail:...
Mayakovsky! Your poems do not warm, do not excite, do not infect!
- My poems are not a stove, not a sea, and not a plague!
Vladimir Vladimirovich Mayakovsky
Poems are our inner music, clothed in words, permeated with thin strings of meanings and dreams, and therefore, drive away the critics. They are just pathetic sippers of poetry. What can a critic say about the depths of your soul? Don't let his vulgar groping hands in there. Let poetry seem to him like an absurd moo, a chaotic pile-up of words. For us, this is a song of freedom from a boring mind, a glorious song sounding on the snow-white slopes of our amazing soul.
Boris Krieger. "A Thousand Lives"
Poems are the thrill of the heart, the excitement of the soul and tears. And tears are nothing more than pure poetry that has rejected the word.
You can very easily paint a picture of a rainy May day in your imagination if you read the poem “Spring Thunderstorm” by Fyodor Ivanovich Tyutchev. The poet wrote this work in 1828, while he was in Germany, and then, in 1854, corrected it. The main attention in the poem is paid to an ordinary natural phenomenon - a thunderstorm, but the author managed to reproduce all its details so accurately and expressively that this poem still evokes admiration among readers.
Spring was the poet's favorite time of year. It symbolized for him the beginning of a new life, the awakening of nature. Comparing each season with a period of human life, Tyutchev perceived spring as youth. He describes natural phenomena using human characteristics. Tyutchev's thunder frolics and plays like a child, he calls its peals young, and a thundercloud laughs, spilling water on the ground. Spring thunder is like young man who takes his first steps into independent adult life. He is also cheerful and carefree, and his life flies as if torrent without knowing any barriers. Despite the cheerful mood, there is a slight sadness in the poem. The poet seems to regret those times when he himself was young and carefree.
The last quatrain of the poem draws the reader to ancient greek mythology. The poet draws an invisible line connecting an ordinary natural phenomenon with the divine principle. From a philosophical point of view, Tyutchev emphasizes that everything repeats itself in this world, and just as spring thunder thundered hundreds of years ago, it will thunder in the same way hundreds of years after us. To conduct a literature lesson in the classroom, you can download here the text of Tyutchev’s poem “Spring Thunderstorm” in full. You can also learn this piece by heart online.
I love thunderstorms at the beginning of May,
When spring, the first thunder,
as if frolicking and playing,
Rumbling in the blue sky.
Young peals thunder,
The rain is splashing, the dust is flying,
Rain pearls hung,
And the sun gilds the threads.
A swift stream runs down the mountain,
The noise of birds is never silent in the forest,
And the din of the forest and the noise of the mountains -
Everything cheerfully echoes the thunder.
You will say: windy Hebe,
Feeding Zeus's eagle,
A thunderous goblet from the sky,
Laughing, she spilled it on the ground.
I love thunderstorms at the beginning of May,
When spring, the first thunder,
as if frolicking and playing,
Rumbling in the blue sky.
Young peals thunder,
The rain is splashing, the dust is flying,
Rain pearls hung,
And the sun gilds the threads.
A swift stream runs down the mountain,
The noise of birds is never silent in the forest,
And the din of the forest and the noise of the mountains -
Everything cheerfully echoes the thunder.
You will say: windy Hebe,
Feeding Zeus's eagle,
A thunderous goblet from the sky,
Laughing, she spilled it on the ground.
Analysis of the poem “Spring Thunderstorm” by Tyutchev
Tyutchev is rightfully considered one of the best Russian poets who sang nature in his works. His lyrical poems are characterized by amazing melody. Romantic admiration for the beauty of nature, the ability to notice the most insignificant details - these are the main qualities of Tyutchev’s landscape lyrics.
The work was created in 1828 abroad, but in the mid-50s. has undergone significant author's revision.
The poem “Spring Thunderstorm” is an enthusiastic monologue of the lyrical hero. This is a sample artistic description natural phenomenon. For many poets, spring is the happiest time of the year. It is associated with the revival of new hopes and the awakening of creative forces. IN in a general sense storm - dangerous phenomenon associated with fear of being struck by lightning. But many people are waiting for the first spring thunderstorm, which is associated with the final victory over winter. Tyutchev was able to perfectly describe this long-awaited event. A formidable natural element appears before the reader as a cheerful and joyful phenomenon, carrying within itself a renewal of nature.
Spring rain washes away not only the dirt left after a harsh winter. He cleanses human souls from all negative emotions. Probably everyone in childhood wanted to get caught in the first rain.
The first thunderstorm is accompanied by “spring... thunder”, echoing in the mind of the lyrical hero with beautiful music. The sound of a natural symphony is complemented by the babbling of streams and the singing of birds. All vegetation and fauna triumph at these sounds. A person also cannot remain indifferent. His soul merges with nature in a single world harmony.
The meter of the verse is iambic tetrameter with cross rhyme. Tyutchev uses a variety of means of expression. Epithets express bright and joyful feelings (“first”, “blue”, “agile”). Verbs and gerunds enhance the dynamics of what is happening and are often personifications (“frolic and playing”, “the stream is running”). The poem as a whole is characterized by a large number of verbs of movement or action.
In the finale, the poet turns to ancient Greek mythology. This emphasizes the romantic orientation of Tyutchev’s work. The use of the epithet of the “high” style (“boiling loudly”) becomes the final solemn chord in a natural musical work.
The poem “Spring Thunderstorm” has become a classic, and its first line “I love thunderstorms at the beginning of May” is often used as a catchphrase.
Fyodor Tyutchev got involved in literature quite early and developed as a poet. Immediately after graduating from Moscow University, he gets a place abroad, in Germany, and goes to the capital of Bavaria, the city of Munich. Fyodor Ivanovich stays there enough most of of my life, twenty-two years. But, despite this, he has a special love and warmth for the Russian style, culture, and especially for Russian nature.
And it was in chanting the beauties of Russian fields, mountains, and rivers that the poet’s outstanding talent was most clearly reflected. One of the most famous poems on this topic is the work “Spring Thunderstorm”. The poem has a double date. It was written in 1828 and published in the magazine “Galatea”, but after that Tyutchev returned to it in 1854, reworking the first stanza and adding the second.
The first thing that catches your eye when analyzing the poem is the depiction of natural phenomena as something majestic and beautiful. The thunderstorm is presented to the reader from a completely different angle. Not formidable and intimidating, but beautiful, strong, triumphant. Paying attention to this feature, you can catch the idea that the author is showing reverse side not only thunderstorms, but life itself. Perhaps he is trying to teach us to look at the turbulence and storms of life positively. Many processes are the personification of life in all its liveliness, it bubbles, sparkles, shines. Nothing stands still, the picture is dynamic, everything moves, spring thunder rumbles “as if frolicking and playing,” and all nature echoes it: rain splashes, dust flies, birds sing, a waterfall quickly and nimbly flows from the mountains.
The author of the poem admires the nature he describes. He sings with love and delight the spring thunderstorm and its accompanying phenomena. Reading the lines he wrote, we seem to be transported to that world, we see everything that the poet saw when he wrote the work, we hear the murmur of water, the singing of birds, the majestic rumbles of thunder, we inhale the freshness left after the spring rain.
You can also notice the metaphorical nature of all the described actions of nature, revealing the philosophical meaning. The stream running quickly down the mountain reminds us of a young man who has just left the care of his parents. And thunder is a riot of feelings, emotions and sensations inside him from the unlimited freedom he received. It was winter, and the young man was sleeping, being under the constant control of his parents, but everything came to life, awakened, life began to bubble up in him as soon as spring came, as soon as he escaped from under their care.
The poem consists of four stanzas. Each of which organically flows into the other. The first stanza introduces the reader to the situation, generally reporting what is happening and setting the direction of thoughts:
“I love thunderstorms at the beginning of May,
When spring, the first thunder,
as if frolicking and playing,
Rumbling in the blue sky."
“Young peals thunder,
The rain is splashing, the dust is flying,
Rain pearls hung,
And the sun gilds the threads.”
The last, fourth stanza, anticipating the reader’s thoughts, summarizes them, conducting a direct dialogue with him:
“You will say: windy Hebe,
Feeding Zeus's eagle,
A thunderous goblet from the sky,
Laughing, she spilled it on the ground.”
Vivid emotional and semantic coloring and imagery are achieved by the author using various artistic and expressive means. For example, many colorful epithets: “ thunderous goblet», « rain pearls», « young peals», « nimble stream ", etc.; personification: " pearls hung», « thunder, .. frolicking and playing, rumbles», « the stream is running", etc.; metaphors: " windy Hebe», « rain pearls”, etc. The inversion “and the sun gilds the threads” also played a role, etc. A lot of gerunds and verbs were used: one action is replaced by another, which is why the picture in our eyes becomes very dynamic and rich, rapidly replacing each other , actions.
“Spring Thunderstorm” is written in iambic tetrameter with pyrrhic, and also alternates female and masculine rhyme, all this allowed Fyodor Ivanovich to fill the poem with a special sound. It is melodic and melodious, but at the same time, to match the described natural phenomena, there are also many sonorant consonants, as well as the alliteration of “r” and “r”. These techniques determine the sound of the work, in which we hear the natural sounds of nature and literally find ourselves at the scene of the action.
F.I. It is not for nothing that Tyutchev is called the singer of Russian nature. In our century, when people have moved so far from it, such works are very important. They make us remember the greatness and beauty of the ancestor of all life, return to its roots and instill in the reader love, warmth and admiration. In “Spring Thunderstorm” Tyutchev concentrated all his attention on a separate natural phenomenon, poeticized it, giving it a deep philosophical meaning.
